In this two-hour workshop, explore how to breathe life into digital worlds with artist and technologist Michael Overton Brown. Currently pursuing an MFA in Interactive Media at USC's School of Cinematic Arts, Michael specializes in creating expressive interactive experiences through careful attention to feel and responsiveness.
Drawing from his experimental practice of "surfing the machine," Michael will guide participants through the often overlooked but crucial element of interactive works: the feel of digital interaction. Participants will discover how small adjustments to movement, timing, and response can transform lifeless systems into emotionally resonant experiences.
Workshop Outline
The session will explore three core concepts:
- What is Feel?: Understanding the fundamental elements that make digital interactions feel alive and responsive
- How to Adjust It: Hands-on exploration of tools and techniques for fine-tuning interactive experiences
- Integration into Practice: Frameworks for incorporating these principles into your creative work
Through a combination of discussion, demonstration, and hands-on experimentation in Unity, participants will develop sensitivity to the nuances of digital interaction while building practical skills for enhancing their own work.
This workshop aims to equip artists and creators with both conceptual understanding and practical tools for crafting more engaging interactive experiences, whether in games, installations, or other digital media.
Logistics
Requirements: Unity (latest LTS version) installed prior to workshop. Basic familiarity with Unity interface recommended but not required.
Experience Level: This workshop is designed for creators interested in making their digital work more engaging through better interaction design. While no specific game development experience is required, basic comfort with digital tools is recommended. The workshop is particularly valuable for artists, designers, and creators looking to incorporate interactive elements into their practice.
Artist Information
Michael Overton Brown is an artist, technologist, and game designer exploring the intersection of procedural systems and emotional resonance. His practice focuses on creating experimental interactive experiences that probe the boundaries between human intention and machine behavior. Through his work, he investigates how we can form meaningful relationships with computational systems, treating them as co-creators rather than just tools. His approach emphasizes the importance of feel and responsiveness in digital interactions, creating experiences that surprise and delight while remaining carefully crafted.
Currently pursuing an MFA in Interactive Media at USC's School of Cinematic Arts, Michael brings both technical expertise and artistic sensitivity to his teaching practice, helping others discover the expressive potential of game engines and interactive systems.
In this two-hour workshop, explore how to breathe life into digital worlds with artist and technologist Michael Overton Brown. Currently pursuing an MFA in Interactive Media at USC's School of Cinematic Arts, Michael specializes in creating expressive interactive experiences through careful attention to feel and responsiveness.
Drawing from his experimental practice of "surfing the machine," Michael will guide participants through the often overlooked but crucial element of interactive works: the feel of digital interaction. Participants will discover how small adjustments to movement, timing, and response can transform lifeless systems into emotionally resonant experiences.
Workshop Outline
The session will explore three core concepts:
- What is Feel?: Understanding the fundamental elements that make digital interactions feel alive and responsive
- How to Adjust It: Hands-on exploration of tools and techniques for fine-tuning interactive experiences
- Integration into Practice: Frameworks for incorporating these principles into your creative work
Through a combination of discussion, demonstration, and hands-on experimentation in Unity, participants will develop sensitivity to the nuances of digital interaction while building practical skills for enhancing their own work.
This workshop aims to equip artists and creators with both conceptual understanding and practical tools for crafting more engaging interactive experiences, whether in games, installations, or other digital media.
Logistics
Requirements: Unity (latest LTS version) installed prior to workshop. Basic familiarity with Unity interface recommended but not required.
Experience Level: This workshop is designed for creators interested in making their digital work more engaging through better interaction design. While no specific game development experience is required, basic comfort with digital tools is recommended. The workshop is particularly valuable for artists, designers, and creators looking to incorporate interactive elements into their practice.
Artist Information
Michael Overton Brown is an artist, technologist, and game designer exploring the intersection of procedural systems and emotional resonance. His practice focuses on creating experimental interactive experiences that probe the boundaries between human intention and machine behavior. Through his work, he investigates how we can form meaningful relationships with computational systems, treating them as co-creators rather than just tools. His approach emphasizes the importance of feel and responsiveness in digital interactions, creating experiences that surprise and delight while remaining carefully crafted.
Currently pursuing an MFA in Interactive Media at USC's School of Cinematic Arts, Michael brings both technical expertise and artistic sensitivity to his teaching practice, helping others discover the expressive potential of game engines and interactive systems.
Our Approach
Game-Making Practice
It's for everyone! We believe that game design and thinking is not limited to "the video game industry." It's a creative point of view that any discipline can use.
LEARN FROM Doing
Our workshops are focused on activities with a majority of time spent on making things.
this is only the start
You'll grow from here. We hope that this is a stepping stone for you to permanently work with the material of games.